Mar 07 2010
Scruton on Music
A marvelous piece on the morality behind music and the problem with much of pop music, from Roger Scruton. Excerpt:
“The ways of poetry and music are not changed anywhere without change in the most important laws of the city.” So wrote Plato in The Republic (4.424c). And Plato is famous for having given what is perhaps the first theory of character in music, proposing to allow some modes and to forbid others according to the character which can be heard in them. Plato deployed the concept of mimesis, or imitation, to explain why bad character in music encourages bad character in its devotees. The context suggests that he had singing, dancing, and marching in mind rather than the silent listening that we know from the concert hall. But, however we fill out the details, there is no doubt that music, for Plato, was something that could be judged in the same moral terms we judge one another, and that the terms in question denoted virtues and vices like nobility, dignity, temperance, and chastity on the one hand, and sensuality, belligerence, and indiscipline on the other.
…
And even if we don’t forbid musical idioms by law, we should remember that people with musical tastes make our laws; and Plato may be right, even in relation to a modern democracy, that changes in musical culture go hand in hand with changes in the laws, since changes in the laws so often reflect pressures from culture. There is no doubt that popular music today enjoys a status higher than any other cultural product. Pop stars are first among celebrities, idolised by the young, taken as role models, courted by politicians, and in general endowed with a magic aura that gives them power over crowds. It is surely likely, therefore, that something of their message will rub off on the laws passed by the politicians who admire them. If the message is sensual, self-centered, and materialistic, then we should not expect to find that our laws address us from any higher realm than that implies.

(CC) 2010